puppetmaker: (Default)
I am on a double deadline this week with two projects (photos next week I promise both in process and final product)

So I am throwing the floor out to questions for crafty questions. They can be business questions (although I offer no legal advise), how I do something, where I learned things, have I tried to do _________? Favorite things I have build. People I have met through my art? Floor is open.

I am grateful for the creative muse and hope that she gives me the inspiration to finish these projects in time.
puppetmaker: (Fluzzies by Kathleen David)
Or don’t under sell yourself. Your time and talent is worth something.

Something to think about, minimum wage in the United States ranges from $5.25 in Minnesota to $8.67 in Washington with most states around $7.25 per hour. Not a whole lot of money but if it takes you 4 hours to make something and you price it at $20.00 then you aren’t even making the minimum in Minnesota and you aren’t even taking materials costs into account.

Pricing should be a simple formula time + materials cost = price. But there are so many factors that are in there. Can you figure out how long it takes you to make one of something or do you do things in sets? If you do things in sets then divide the total amount of time to make the objects by the number of objects to get the amount of time you should charge for one. Is there drying time before you can do the next step in the project?

Trying to break down exactly how long it takes you to make something is not an exact science so we tend to ballpark how long it takes to make something. I know it takes me 4 hours to make a basic puppet from cutting fabric to final product with eyes and hair.

I know that my materials cost is approximately $10 to 14 per puppet including hair and eyeballs. The fabric is ½ a yard of fleece and ½ a yard of fuzzy fleece which is about 8 dollars not on sale and about 6 on sale. Half a long feather boa is 2 dollars when on sale and about 3 when not. Ping pong balls run about 25 cents a piece. Velcro is about 20 cents a patch. Rhinestones are about 5 cents a stone when not on sale but a bag can last you a while.

So we have (4 hours X $7.25 (since I live in New York)) + $10= $39 per puppet for a basic puppet which I should round up to $40.

Photobucket
(For the VI: This is a picture of two puppets I call Phluzzies. The one on the left has a blue head and arms with a lighter fuzzy blue tube shaped body. The hair on top is a blue fuzzy boa. On top of the head are two ping pong balls with black Velcro circles in the middle of the ball and a single blue rhinestone in the middle of the Velcro. The puppet on the right has a yellow head and arms with a shaggy red body. The hair on top is a red fuzzy boa. On top of the head are two ping pong balls with black Velcro circles in the middle of the ball and a single red rhinestone in the middle of the Velcro.)

However I tend to sell these puppets for between 20 to 30 dollars per puppet at conventions because that is what the market will bear. So I am selling them at a bit of a loss for my time. I will not sell for less than materials.

Don’t undervalue what you do because once the price is set then trying to raise the price can be very hard to do. I found that out with the phluzzies. I didn’t take my time into account before pricing them and now people expect them to be 20 to 30 dollars depending on materials.

I am grateful for being paid a living wage for a puppet along with materials.
puppetmaker: (Default)
Sometime I feel like I chase my muse around the house and she stops at points that will distract from my pursuit of my goal. There are days that she hides very cleverly in my head and blows raspberries at me when I go to grab her. And other days she sits around sipping whatever muses sip to unwind and dares me to catch her because she is right there and not going to move but I have other things that need to be done so she knows that she is safe.

We call the lack of an idea or the next step in an idea being blocked. I never lack ideas in fact I have too many running around in my head that I know that I will never get them all done in my life time. A number are shelved because they need a skill set that I don’t have or haven’t mastered yet. But I have enough to work on that I want to make in this world.

The process from idea to product can be a difficult one. Getting the vision in one’s head to the actual working world can be a challenge. This part of the process is where I wish I didn’t have negative drawing ability. I can draft something to show what I need to have built but that’s about it. My skill seems to be bringing my ideas out in 3-D rather than 2-D.

And then there are days that I pull out the clay and just can’t get the shape in my head to come out in the clay. I end up doing and redoing more times than I care count. At some point I realize that the character in my hands is not going to be the one in my head so I put that idea in the box and start to play with what I have in front of me to see where it is going. Sometimes I like it better than the original idea and other times I just go with the flow on it. I have a box of things that might never get finished or will be finished when I am in a crunch. I am not entirely happy with them but there is something there for me to work with.

It can be frustrating to say the least but I know that eventually my muse will finished sipping her fine beverage and get off her toadstool and help me. I just need to give her the time that she needs to revive herself so she can help me.

I have learned over the years that when push comes to shove, there is no time to get blocked. You just keep moving forward and get done what you can get done because you are on a deadline. Sometimes the muse cooperates and other times you just go on the skills you know you have and fake your way through a project and hope that she pops up later to see how you did.

I am grateful for muses that hang around.
puppetmaker: (Fluzzies by Kathleen David)
Yes, it is Tuesday and I am talking about the creative process, art and crafting.

But first I hope everyone who is celebrating today does so in a safe fashion. This day can get pretty crazy in some cities in the world.

On the To Do List for me this week.

Top Priority are those post cards made out of Fabric. I am going to get a bunch done on that today. I have the materials I need now just design, cut and sew.

Next is sorting out the calendar with a new added component since I need to fill out my application for the DragonCon Art Show. And you have to show current work. My photos are more set up for recording what I made rather than juried art show.

I also have a Steampunk Doll, a Rabbit, and a re-furbish on the Weird Sisters to do for various doll conferences and swaps and I need to see what the time-table is on these.

And I have this feeling that I am forgetting something in the back of my head.

Some Random Thoughts on Crafty Stuff

Not a particular topic this week. I am still getting my brain back from vacation.

But if you have something you want me to talk about, please tell me. I am still feeling my way through this.

This week Caroline has a project for school that has a crafty part. We have worked out how this is going to be done. Now I am working on how she can do it rather than me. I have more skills and practice but this needs to be her project. She needs to make a mask of a Leopard Seal that will be part of or attach to a paper plate. I figure I’ll make her a template that she will use to make her seal head.

Sometimes deconstructing how you do something so you can teach it to someone else can be very hard. You know how you do it but stop and think how you would explain to someone else how to do it. When writing up a set of instructions or a pattern, you have to think that the person trying to recreate what you did doesn’t have you right there to explain what you meant so you need to make sure that you don’t need to be there for the instructions to work.

Depending on the level of instruction, you can assume some basic knowledge. Like a dress pattern assumes that you know basic sewing skills along with basic measurements and some math. So if it is an advanced knitting pattern, you can assume that the person has the basic stitches down along with how to read the pattern. If there is some new stitch or tricky turn that is not normal, you probably explain that with more detail than the basics.

Trying to teach someone how to do what you do can be hard but it also can be very rewarding. Passing knowledge on especially for crafts that are not done as often (like tatting) is very important because it is part of our collective heritage.

I am grateful to my teachers over the years that have shared their knowledge with me so I can share it with others.
puppetmaker: (Goatboy)
Today’s topic Believe in Yourself

This can be hard to do. You look at one of my puppets or dolls and see the whole thing. I can see all the flaws and imperfections in the piece. Kind of a forest for the trees thing.

It took me years to be able to say that I was an artist. I called myself a craftsman for the longest time. It was an artist that I respect who changed my thinking by calling me an artist rather than a craftsman. He told me that he was in awe of what I could make because even though he could paint for days, he couldn’t sew to save his life. He was impressed at what I could make fabric do. And, for some reason, that changed my thinking.

Everyone creates art in one form or another. Some draw, some sculpt, others cook, and there is even art in the ability to organize a drawer or a closet. We start creating when we are small. Give a child a pencil and paper and they are off to the races making pictures of things that are important to them. Then our inner censor starts up and for some we don’t feel anything we draw is good enough. It goes even further when our peers jump in and tell us we aren’t good at something. We figure they are right and go from there.

Caroline sometimes gets frustrated when she can’t get what is in her head out on paper. I tell her that part of it is practice. The more you do something, the better you get at it. I can make a puppet from fabric and foam to finish puppet in about 4 hours but I have been doing it quite a while and I have had a lot of practice. Everything isn’t going fall into place at once.

And don’t be afraid to fail at a piece. There is always another piece of paper or fabric or clay that you can try again. Failing is how we learn to succeed. That method didn’t work so now we try something else. I have a box or two of puppet parts that didn’t make the grade but I figure I will use them for something else down the road.

So believe in yourself. There is an artist within that is willing to come out and play if you ask them to.

I am grateful my inner child and I get along so well.
puppetmaker: (Default)
A week from Friday is Farpoint. I have a lot to do between now and then. This week I managed to get a majority of Caroline’s costume done and a part of Ariel’s

So we get into how many hours do I have left and how many of those hours can I devote to the projects and how much is everything else that need to be done.

The postcards are on the back burner for the time being.

I have a few things I have to shop for to complete the looks I am creating. Once I have those items, the costumes will be pretty much a snap.

Here is how I am looking at the next couple of days. Mondays are not great days to get things done due to all the other things I do.

Today-Make a list of missing pieces and go and get them

Tomorrow-Finish the headpiece for Caroline’s costumes and sew either snaps or Velcro to get the pieces to fit together. Finish Ariel’s tunic which is taking a little longer than I thought it would and her wig is going to be a two to three day project but it can be done in between other projects.

Thursday-Continue Wig. Start doll 1,2,3. And Ship since I have permission from one of the creators to make one.

Friday-Finish all costume pieces and clean up.

Saturday and Sunday-Wig finishing and doll making

Monday-My busy day in the real world

Tuesday-I hope to be at clothing the dolls having painted them on Sunday/Monday (and do another Crafty Tuesday with an update)

By next Wednesday I want to be basically done so I can spend the next two days getting ready for the convention.

So that is my time management plan for the next week or so.

I am grateful to be able to see my pieces of lawn again without snow on top.
puppetmaker: (Caroline Ninja or Pirate)
Out of the things I planned out for the week, the only things that fell by the wayside were the postcards. I did a test one and didn’t like it so I am doing some more research on them to see where I went off track.

I got the puppet bodies done and have the cloth for the costumes along with how I am going to make the rest of the costumes.

This week is mostly going to be costumes with some postcards sprinkled in.

I have been asked how these costumes come about. It is real simple. Someone comes up with a crazy idea and we execute it. This time we are finally getting around to a costume that we came up with about 7 years ago and a costume that Caroline wants to do. There are complexities to each but over all they are pretty straight forward.

Here is how I go about figuring out what I am doing for a costume. If it is a recreation, which most of mine are, I look at pictures of the outfit I am making. I sort out what is most distinctive about the piece. What has to be there to make everyone say, “Oh, that’s so and so from such and such.” ? Those are the must haves in the costume. After that I look at the details of the outfit and see what I think would add that extra level to the costume. The details really can make or break a good costume.

Color is important too but it can be hard to figure out what color a costume really is because of the lighting. Do you go for the color you think it is or do you go for the color that the garment actually is? I tend to go for a blend of the two. There is also the problem of finding the right fabric once you decide what you are going to do. I am lucky that I have the New York fabric stores to peruse for the perfect fabric but that is a double-edged sword because that can make the garment pretty pricey.

Make-up is another thing to consider. I am a fair make-up artist. I know all the basics and have done foam-rubber latex. I also know my limitations and work within those. Currently I don’t have a life mask that I can use for me or anyone else in the family so I fake my way through things.

Shoes can be a problem. Again I have a number of ways of faking my way through shoes including covers and finding something close that I can change to what I need. Also sometimes finding out what the footwear looks like can be a real pain because there are few to no full-length shots to work from.

I will say that the internet has made it much easier to research costumes and techniques. I can find much more information rather than trying to work off of a few blurry pictures in a Starlog. Also with the ability to freeze-frame and get a clear freeze rather than the jumpy blurry video tape freezes is amazing and very helpful.

As I will do every week, I am opening the floor to questions. So what do you want to know?

I am grateful that I can break things down into smaller pieces.
puppetmaker: (Goatboy)
Since there has been some interest in my idea for a crafty entry once a week so I thought I would give it a try.

But I would like to know what you the reader would be interested in my talking about.

I figured I would talk about current projects I am working.

I thought I might do some how to or short cuts I have learned for various things.

I thought that I would put up pictures of things I am currently working on.

I could talk about how I go about the process of building something.

I could talk about past projects.

I could do in progress pictures.

Current Projects
(or what I want to get done this week)

1. The puppet bodies for the school puppet production of the tales of Anansi.
This will be 8 bodies total and I need to see what scraps of kente cloth I have so the kids can make costumes for their puppets. I have a standard hand-puppet pattern I use with a few tweeks for smaller hands.

2. The Beginnings of the costumes for Farpoint. I have done most of my visual research. Now I need to find the right colors of cloth and make sure I have the right stuff for the accessories.

3. Do 10 cloth postcards and send them out to the postcard swap I joined. I am still doing some research as to how to make postcards out of cloth. I figure at 10 a week, I’ll be able to get this project done before Farpoint.

4. Plot out the steampunk critters I want to do next and cogitate on the one human one I need to do without a stand.

So those are my goals to have done by next Tuesday.

And again I am looking for input from y’all.

I am grateful for input.

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